- Scene
Magazine - Livewire
- Peabody's
DownUnder
- November
30, 1996
-
- Other bands on
stage: Love In Reverse, Rumor Has It
Every once in a while, it seems, we just need a
good old-fashioned butt-kicking at the hands of
the British to set us straight. While the British
Invasion of the '60s rivaled the original British
invasion in terms of overall impact, the latest
wave, featuring the likes of Oasis, Bush and now
Republica, may very well stir up a much needed
revolution amongst their American counterparts.
Hailing from London, Republica administered said
butt-kicking in fine fashion Saturday night at
Peabody's DownUnder, as a full house danced and
sang along with spunky singer Saffron as she lit
up the stage with a display of unbridled energy
and seemingly endless enthusiasm that would
likely send Eddie Vedder running screaming for
the hills.
Leading off with their current single, "Drop
Dead Gorgeous," Republica showed early and
often during their nine-song set that they could
rock with the best of 'em, as well as kick out
the jams. Following the straight-ahead, radio
friendly opener, keyboardists Tim Dorney and Andy
Todd turned up the techno for "Bloke,"
the band's first-ever U.K. single and the second
track from its self-titled American debut. With
guitarist Johnny Male riffing up a storm, drummer
Dave Barbarossa pounding out the live beat behind
her, and Dorney and Todd to either side, Saffron
went to work, strutting, pouting, bouncing and
prancing her way through an array of salacious
songs full of sauce and sass such as
"Bitch" and "Get Off."
Clad in form-fitting black leather pants and a
white T with a splash of red running through her
close-cropped black locks, Saffron was part
cheerleader, part biker chick, her sparkling
personality a perfect match for her exotic voice.
Versatile, too, as she showed on the almost
ballad-esque "Picture Me," where she
traded vocals with Male, who donned an acoustic
guitar for the occasion. This somewhat mellow
moment was but the calm before the storm,
however, as Saffron coyly asked the audience
crowded before her, "Are you ready?"
While most bands these days express disdain when
"forced" to play their hit singles,
Republica wholeheartedly embraced theirs. As
Saffron cooed the intro, the crowd immediately
sprang to life, as she and the band offered up an
extended reading of "Ready To Go." I
don't know if you'd call it a mosh pit -- a dance
pit, maybe? -- but whatever it was, it looked
like something straight out of TWISTER as Saffron
led a chorus of Always love the one you hurt.
"Are we ready for some dancing on the next
one or what?" Saffron asked as an intro to
"Out Of The Darkness," a Gary
Numan-meets-Duran Duran number that ensured the
energy level remained at a maximum.
The synth-driven "Wrapp" got a bit of
crowd-surfing going, with Saffron yelling
"Catch him" or "Catch Her" as
fan after fan leapt from the stage into awaiting
arms. Todd got into the act as well, making his
way back to the stage just in time for the set
closer, a rambunctious "Holly," which
found the delightful singer tossing off clever
lyrical twists such as Who cares anyway, in a
Hollywood Bowl of serial killers.
"With a simple, 'Thank you very much
Cleveland, cheers,' Saffron and company left 'em
hot, sweaty and wanting more, paving the way for
a return engagement sometime down the road.
|
Birmingham Online
The Nick Friday, November 20, 1996 The night air was crisp as I
approached the Nick. A thumping from the sub-woofers was
masking the noise of the Red Mountain Expressway. A
slight anticipation was felt as the bouncer carded me.
The British group Republica was to perform and I had on
my red dancing shoes. Beer in hand and cigarette in mouth
I made my way to the front where Love in Reverse was
warming the crowd. The drummer was ill and could not
perform, so a drum machine took his place. The staleness
was apparent from the electronic beat, but I didn't mind
because Republica was on next.
After a few more beers and
half a pack of cigaretts the boys from England were
making their way to the stage. The girl next to me went
to get a drink and asked if I would save her a spot up
front. Of course I would, but I never saw her again. With
a blast from a British chorus played from a track the
group blasted into Drop Dead Gorgeous. In between songs
Saffron spoke with a British accent that gave away that
she was no aristocrate. The entire album was performed
before they left the stage for the evening. The high
piont, Picture Me. The low point, their U.S. single Ready
To Go. If you like Ready To Go. You'll love the rest of
the album.
These kids
have alot of talent and alot of energy. If you could
somehow harness their energy and use it for good the
world would have another rubics cube to play with. That's
my story and I'm sticking to it. Author: Sludge
|
Entertainment Ave
Q101 Jamboree '97 In The Concert Hall May 25, 1997
Heading back
quickly to the Buzz Stage I only had a few minutes to
catch my breath before Republica began their 30 minutes
of music. Here was another group I really didn't know
what to expect. I was slightly familiar with "Drop
Dead Gorgeous," and a couple of other Republica
tunes, but was more curious than excited at seeing
them.
Another band in the techno-punk-rock category, at first I
wasn't thinking too much of Saffron and her band. They
sounded great, and the crowd was having a blast, but I
didn't really see any energy coming from the band.
The Republica fans were working it, and many of those
trapped in the front of the mosh-pit had to be pulled out
by the big and burly security dudes else they would have
collapsed, but Saffron really was just standing there,
singing her tunes, on a wireless mike, and I'm thinking
"What a waste of a wireless - let a band who would
use it have it." But then, maybe the band was
starting to warm up, maybe they fed off the energy of the
youngin's mixing it up, but Saffron started to work the
stage, got rid of the mike stand, and this Shrug was
moving its way up a thumb or two. I was just starting to
get excited when I had to leave to catch The Cardigans (I
should have stayed and finished watching Republica), so
it's only ONE THUMB UP for Republica. I will be watching
for them to do a full-blown show, but this one started
way to lackadaisical to get that extra thumb.
|
The Unofficial Fun Lovin'
Criminals Page
Anson Rooms April 8, 1997
Warming up a docile Tuesday night crowd is a tough job at
the best of times, but Republica tried their best to set
us on fire with their distinctive electro-punk.
Unfortunately, most of the crowd found Saffron and the
boys a little too in yer face to be roused and felt more
like pulling the duvet back up and dozing off again.
Their cool reception was not because of a lack of effort
on the bands part. Saffron was her usual pumped-up,
hyperactive self, shadow boxing mid song and trying her
best to diffuse a little of her energy throughout the
crowd. But cries of Come on you
fuckers! did little more than scare people to the
bar, and no matter how lively and full-on the band were,
the music rarely matched. Republicas one hit to
date, Ready To Go, was the one rabble-rousing
point of true sonic inspiration, where the band seemed to
have gathered all their good points - their unbridled
vigour, poppy tune-writing and the booming armament of
musical back-up - into three turbo-charged minutes. For
those who had only heard this one song, the rest of the
set was a disappointment, having some of the right
elements but never sparking the same reaction. |